Indian Girl Pictures

Indian Girl Biography

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Yana Gupta (born Jana Synková on April 23 1979 at Brno height 5'8" - 1.73 m) is a Czech model-actress currently working in India. She was married to Indian painter Satyakam Gupta although they formally separated on 18th May 2005. She has appeared on numerous magazine covers including ELLE Cosmopolitan Femina and now on Maxim. Gupta modeled for the premier Kingfisher's calendar and has performed dance numbers in three films including the remix of babuji zara dheere chalo. Before her career in Bollywood she modeled for international clients like Calvin Klein and Victoria's Secret.
Yana made her big screen debut in the Bollywood movie "dum" for the song 'Babuji' which made her famous for cameo item numbers.She was named the new face for Lakme cosmetics in 2001. She is a vegetarian and a member of PETA and has also been featured in its campaigns. She has also appeared in a Kannada movie named Jogi. She played the role of a TV anchor on the countdown show "Mirch Masala" on ZoomTV where she danced to famous dance numbers however the show is currently off the air. She spends her free time in the gym. Now she is planning to launch her own music album and she will write compose the music and sing the songs as well. All the songs will be in English.
Yana recently signed up with a leading mobile and PC games company Indiagames as brand ambassador and will be featured in several interesting games and applications related to fitness puzzles etc. She is currently dating actor and model Kelly Dorji. Yana has featured on the Dr Zeus album Back Unda Da Influence which was released in 2007.She featured in a cameo role in the video for the song Chargai released on Aman Hayer's 2008 release 'Groundshaker 2'. The song features vocals from Jazzy B & Apache Indian.

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Indian Girl Pictures

Indian Girl Pictures

Indian Girl Pictures

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Nice Girl Picture

Nice Girl Biography

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A British Indian, she came to limelight after successfully modeling for various commercials, including Limca, Liril and a couple of cosmetic brands in Europe.  Karishma became an instant celebrity in the Indian modeling circles after the Kingfisher advert.  She made her acting debut in the film, Shankardada Zindabad (2007) a Telugu language remake of Lage Raho Munna Bhai.  Prior to her film debut, she appeared in musical albums such as, "Belly Dancer" by Apache Indian, "Mera Piya" by Sonu Nigam and Sapna Mukerjee, and "Me Against Myself" by J Sean.
Karishma Kotak is an internationally acclaimed Indian model and an upcoming actress.Born in London, Karishma Kotak grew into a beautiful model appearing in several commercial campaigns like Dove-natural beauty soap, Kingfisher, French Connection, Wella hair, Toni & Guy, Rang Sarees; Rupali Sarees; Sagar Sarees; Diesel jeans, and Jewellery campaign. She has also walked the ramps for London fashion week 2004, Provogue, Asiana bridal shows, M.A.C cosmetics, and Lakme Fashion week 2006. The pretty-faced Karishma Kotak has been chosen as the 'New Face of Dove India 2007' and became a Brand Ambassador for South Indian Jewellery and Dove Hair Care India in 2007.
The ravishing beauty has done photo features for several international magazines such as Elle, Harpers, Seventeen, DN, Asian Woman Magazine, Asian Bride magazine, HT, L’official, Vogue, Snoop, Asiana wedding, IndoBrit, Mansworld, Indiawali Brides, and Bombay Times.
The celebrated model is all set to make her debut in 2007 with a Telugu movie, "Shankardada Zindabad" starring opposite the topmost Telugu hero Chiranjeevi. The movie is directed by actor-turned director Prabhu Deva and is a remake of Sanjay Dutt's blockbuster movie, "Lage Raho Munna Bhai".
Prior to her film debut, the stunning model has appeared in musical albums such as, "Belly Dancer" by Apache Indian, "Mera Piya" by Sonu Nigam and Sapna Mukerjee, and "Me Against Myself" by J Sean
Karishma Kotak to play heroine in 'Shankar Dada Zindabad' Padma Bhushan, Mega Star, Dr Chiranjeevi is playing the hero under the direction of Prabhudeva for 'Shankar Dada Zindabad' produced by Gemini Kiran and Ravishankar on the banner of Gemini Film Circuits.A song is to be caned at a specially erected at Annapurna Studio sometime this week. Though the regular shooting is in brisk progress, there was a deficiency so far in the film in the form of heroine.
In fact, the producers planned to bring the heroine of the original Bollywood flick, 'Lage Raho Munnabhai', Vidyabalan. Later, the names of Nayanatara, Asin and Anushka were heard. But it is reliably learnt that the unit had finally zeroed in on a Bollywood heroine Karishma Kotak as heroine.Devisri Prasad is scoring music while Srikant is playing the role of ATM, and Sada is playing a main role.The producer and director are planning to complete all the formalities and release the film in July.
After dating non actress Kim Sharma for half a decade, and Bollywood bombshell Deepika Padukone for half a week, Yuvraj Singh has found a new squeeze, Karishma Kotak.For the Tollywood ignorant, Karishma is a successful model and a Telegu film actress. Karishma was born and brought up in London, and has been staying in Mumbai for the past two and a half years. She has made some interesting friends among which there are several actors and one cricketer. 
Yuvraj Singh has been seeing Karishma Kotak for a while now. The two are often seen together at suburban hangouts and five-star hotels. They make no bones about being spotted together and are pretty cosy in each other’s company.

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Nice Girl Picture

Nice Girl Picture

Nice Girl Picture

Nice Girl Picture

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Beautiful Afghan Girl Pictures

Beautiful Afghan Girl Biography

Source(google.com.pk)

In December 1984, Afghanistan was five years into a bloody civil war between the Soviet Union, which sought to maintain a Marxist government there, and anti-government Islamic rebels called mujahideen.

Millions of refugees were pouring over the borders into Pakistan to escape the fighting.

National Geographic photographer Steve McCurry was in the region for a story on the refugee crisis. While touring a refugee camp on the Afghanistan-Pakistan border, he entered a large tent that served as a girls school. The first child he saw was a shy girl with fiery eyes, about 12 years old.

McCurry approached the girl, and she agreed to let him take her picture.

"I didn't think the photograph of the girl would be different from anything else I shot that day," he later recalled.

What emerged was a searingly beautiful image of a young girl with haunting eyes who came to symbolize the plight and the pain and the strength of her people.

National Geographic chose a close-up of the girl as the cover photo for the article, which ran in the June 1985 issue. Her sea green eyes striped with blue and yellow peered with a mixture of bitterness and courage from within a tattered burgundy scarf. The "Afghan girl" touched the souls of millions.

A Mystery for Years

Her name was Sharbat Gula, which means "sweetwater flower girl" in Pashtu, the language of her Pashtun tribe. But McCurry, and the world, wouldn't know this or any other details of her tragic life until 17 years later.

Sharbat Gula came to Pakistan in 1983 after her parents were both killed in a Soviet air raid on their Afghan village. She had trudged through the jagged mountains in winter for nearly two weeks with her grandmother, brother, and three sisters. She had lived in several refugee camps before coming to the one where McCurry met her.

McCurry said the photo of her "summed up for me the trauma and plight, and the whole situation of suddenly having to flee your home and end up in refugee camp, hundreds of miles away."

In the years after the photo was published, McCurry attempted several times to find Sharbat Gula again, but to no avail. A trip to Pakistan in January 2002 finally bore fruit. He returned to the same refugee camp, still open, and showed her photo around. A man who had lived in that camp as a child recognized the girl and told McCurry he knew her brother. He would go and get her.

Afghanistan has known precious few days of peace since the 1979 Soviet invasion. But years ago, during a lull in the country's many conflicts, Sharbat Gula had returned home to her village in the Tora Bora region. Now, after three days of hiking, the man from the camp returned with her and her family.

Reunited

Examination by a local ophthalmologist and an iris-recognition test from a New Jersey lab revealed that this woman and the schoolgirl in the photo were the same. The Afghan girl was found.

"She's as striking as the young girl I photographed 17 years ago," McCurry said.

Sharbat Gula's face bears signs of the hardships she's survived, but her unforgettable eyes still glow. She does not know her exact age, but she remembers the day Steve McCurry came to her school tent. She lives a simple, anonymous life in Afghanistan with her husband and three daughters. She'd never seen McCurry's famous photograph. She had no idea her face had become an icon.

A devout Muslim, Sharbat Gula agreed only with her husband's consent to appear without her chadri, or burka. National Geographic published her story with before-and-after photos in April 2002.

Beautiful Afghan Girl Pictures

Beautiful Afghan Girl Pictures

Beautiful Afghan Girl Pictures

Beautiful Afghan Girl Pictures

Beautiful Afghan Girl Pictures

Beautiful Afghan Girl Pictures

Beautiful Afghan Girl Pictures

Beautiful Afghan Girl Pictures

Beautiful Afghan Girl Pictures

Beautiful Afghan Girl Pictures

Beautiful Afghan Girl Pictures

Emo Girl Picture

Emo Girl Biography

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The emo fashion is also recognized for its hairstyles. Popular looks include thin, flat and smooth hair with lots of hair on the sides and back of the head with long side-swept bangs, sometimes covering one or both eyes. Also popular is hair that is straightened or dyed black. Bright colors, such as blue, pink, red, or bleached blond, are also typical as highlights in emo hairstyles. Short, choppy layers of hair are also common.[143] This fashion has at times been characterized as a fad.[144] However, in the early 2000s, emo fashion was associated with a clean cut look instead, but changed as it spread to teens.[140] Emo fashion also has been often confused with goth fashion.[145]

Emo /ˈiːmoʊ/ is a style of rock music characterized by melodic musicianship and expressive, often confessional lyrics. It originated in the mid-1980s hardcore punk movement of Washington, D.C., where it was known as "emotional hardcore" or "emocore" and pioneered by bands such as Rites of Spring and Embrace. As the style was echoed by contemporary American punk rock bands, its sound and meaning shifted and changed, blending with pop punk and indie rock and encapsulated in the early 1990s by groups such as Jawbreaker and Sunny Day Real Estate. By the mid-1990s numerous emo acts emerged from the Midwestern and Central United States, and several independent record labels began to specialize in the style.

Emo broke into mainstream culture in the early 2000s with the platinum-selling success of Jimmy Eat World and Dashboard Confessional and the emergence of the subgenre "screamo". In recent years the term "emo" has been applied by critics and journalists to a variety of artists, including multiplatinum acts and groups with disparate styles and sounds.

In addition to music, "emo" is often used more generally to signify a particular relationship between fans and artists, and to describe related aspects of fashion, culture, and behavior.

Emo emerged from the hardcore punk scene of early-1980s Washington, D.C., both as a reaction to the increased violence within the scene and as an extension of the personal politics espoused by Ian MacKaye of Minor Threat, who had turned the focus of the music from the community back towards the individual.[1][2] Minor Threat fan Guy Picciotto formed Rites of Spring in 1984, breaking free of hardcore's self-imposed boundaries in favor of melodic guitars, varied rhythms, and deeply personal, impassioned lyrics.[3] Many of the band's themes would become familiar tropes in later generations of emo music, including nostalgia, romantic bitterness, and poetic desperation.[4] Their performances became public emotional purges where audience members would sometimes weep.[5] MacKaye became a huge Rites of Spring fan, recording their only album and serving as their roadie, and soon formed a new band of his own called Embrace which explored similar themes of self-searching and emotional release.[6] Similar bands soon followed in connection with the "Revolution Summer" of 1985, a deliberate attempt by members of the Washington, D.C. scene to break from the rigid constraints of hardcore in favor of a renewed spirit of creativity.[2] Bands such as Gray Matter, Beefeater, Fire Party, Dag Nasty, Lunchmeat, and Kingface were connected to this movement.[2][6]

The exact origins of the term "emo" are uncertain, but date back to at least 1985. According to Andy Greenwald, author of Nothing Feels Good: Punk Rock, Teenagers, and Emo, "The origins of the term 'emo' are shrouded in mystery ... but it first came into common practice in 1985. If Minor Threat was hardcore, then Rites of Spring, with its altered focus, was emotional hardcore or emocore."[6] Michael Azerrad, author of Our Band Could Be Your Life, also traces the word's origins to this time: "The style was soon dubbed 'emo-core,' a term everyone involved bitterly detested, although the term and the approach thrived for at least another fifteen years, spawning countless bands."[7] MacKaye also traces it to 1985, attributing it to an article in Thrasher magazine referring to Embrace and other Washington, D.C. bands as "emo-core", which he called "the stupidest fucking thing I've ever heard in my entire life."[8] Other accounts attribute the term to an audience member at an Embrace show, who yelled that the band was "emocore" as an insult.[9][10] Others contend that MacKaye coined the term when he used it self-mockingly in a magazine, or that it originated with Rites of Spring.[10] The Oxford English Dictionary, however, dates the earliest usage of "emo-core" to 1992 and "emo" to 1993, with "emo" first appearing in print media in New Musical Express in 1995.[11][12]

The "emocore" label quickly spread around the Washington, D.C. punk scene and became attached to many of the bands associated with Ian MacKaye's Dischord Records label.[9] Although many of these bands simultaneously rejected the term, it stuck nonetheless. Scene veteran Jenny Toomey has recalled that "The only people who used it at first were the ones that were jealous over how big and fanatical a scene it was. [Rites of Spring] existed well before the term did and they hated it. But there was this weird moment, like when people started calling music 'grunge,' where you were using the term even though you hated it."[13]

The Washington, D.C. emo scene lasted only a few years. By 1986 most of the major bands of the movement—including Rites of Spring, Embrace, Gray Matter, and Beefeater—had broken up.[14] Even so, the ideas and aesthetics originating from the scene spread quickly across the country via a network of homemade zines, vinyl records, and hearsay.[15] According to Greenwald, the Washington, D.C. scene laid the groundwork for all subsequent incarnations of emo:

What had happened in D.C. in the mid-eighties—the shift from anger to action, from extroverted rage to internal turmoil, from an individualized mass to a mass of individuals—was in many ways a test case for the transformation of the national punk scene over the next two decades. The imagery, the power of the music, the way people responded to it, and the way the bands burned out instead of fading away—all have their origins in those first few performances by Rites of Spring. The roots of emo were laid, however unintentionally, by fifty or so people in the nation's capital. And in some ways, it was never as good and surely never as pure again. Certainly, the Washington scene was the only time "emocore" had any consensus definition as a genre.[16]

MacKaye and Piccioto, along with Rites of Spring drummer Brendan Canty, went on to form the highly influential Fugazi who, despite sometimes being connected with the term "emo", are not commonly recognized as an emo band.[17]

Today emo is commonly tied to both music and fashion as well as the emo subculture.[139] Usually among teens, the term "emo" is stereotyped with wearing jeans, sometimes in bright colors and may often be close-fitting, and T-shirts (usually short-sleeved) which often bear the names of emo bands. Studded belts and black wristbands can be associated in emo fashion. Some males can also be often wearing thick, black horn-rimmed glasses.[140][141][142]

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Emo Girl Picture

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Pakistani Girl Pictures And Mobile Numbers

Pakistani Girl Pictures And Mobile Numbers

Source(google.com.pk)Pakistani Girls Mobile Numbers photos, pictures for friendship, can give you a very nice and beautiful Pakistani girls mobile number. So that you can get a Pakistani girls as your friend.Pakistani girls are very nice and beautiful, they are very much beautiful with their figure, height, skin color and friendly behavior.Get Pakistani Beautiful Girls Mobile Numbers photos, pictures for friendship:There are two Pakistani beautiful girls mobile number below:

Pakistani Beautiful Girls Mobile Numbers. No-1

First Name: Nadia
City: Lahore
Company:Jazz
Country: Pakistan
Gender: female
Age :        23

Mobile Number: 03009768798

Pakistani Beautiful Girls Mobile Numbers. No-2

Name: Kalpana.          Samina
Location:                     Faisalabad, Pakistan
Phone Number:           03227837132

Gender:                       Female

Faisalabad, Pakistani Beautiful Girls Mobile Numbers. No-3

Name:                          Dua
Location:                     Faisalabad, Pakistan
Phone Number:           03136064523

Gender:                       Female.

Lahore, Pakistani Beautiful Girls Mobile Numbers. No-4

First Name:  Sidra
City:  Lahore
Company:Jazz
Country: Pakistan
Gender: female

Mobile Number: 03009768798

Karachi, Pakistani Beautiful Girls Mobile Numbers. No-5

First Name: Anila
Last Name: Khan
Gender: Female
Religion: Islam
Marital Status: Single
Education: Metric
Mobile Number: 03012089229
Company Name: Jazz
Address: K Area Korangi 5 Karachi
State: Sindh
Country: Pakistan

Email Address: anila_khan@hotmail.com

Karachi, Pakistani Beautiful Girls Mobile Numbers. No-6

First Name: maria
Nick Name maria
Gender: female
Mobile Company:ufone
City:karachi girls
Country:Pakistan girls

Mobile Number:03072666003

Karachi, Pakistani Beautiful Girls Mobile Numbers. No-7

First Name: Niha

Last Name: Batool

Gender: Female

Religion: Islam

Marital Status: Single

Education: n/a

Mobile Number: 00923063887829

Company Name: Jazz

Address: n/a

State: Sindh

Country: Pakistan

Email Address: niha_222@hotmail.com

Islamabad, Pakistani Beautiful Girls Mobile Numbers. No-8

First Name: Ayesha

Nick Name Ashi

Gender: Female

Mobile Company: Jazz Number

City: Islamabad girls

Country: Pakistan

Mobile Number:03015097857

State:Punjab

Address:Islamabad

Email: Ashi550@yahoo.com

Country:Pakistan

Sargodha, Pakistani Beautiful Girls Mobile Numbers. No-9

First Name : Tanya

Last  Name : Chaudhry

Nick Name : Tanya

Mobile Number : 03086680705

City : Sargodha

Company : Jazz

State : Punjab

Address : Sargodha

Email : tanya.love@hotmaill.

Country : Pakistan

Gender: Female

Islamabad, Pakistani Beautiful Girls Mobile Numbers. No-10

First    Name: Elish

Company: Ufone Mobile Number

State:   Punjabi

Address: Islamabad

Country: Pakistani

Gender:  Female