Pretty Girls Pictures Biography
Source(google.com.pk)
Pretty Girls Make Graves was an art punk band, formed in Seattle in 2001, named after The Smiths song of the same name (which itself was named after a quote from Jack Kerouac's ''The Dharma Bums''). Andrea Zollo and Derek Fudesco had played together previously in The Hookers, as well as The Death Wish Kids and Area 51 along with Dann Gallucci, with whom Derek had formed Murder City Devils. Not long before the Murder City Devils disbanded, Derek and Andrea formed Pretty Girls Make Graves along with Jay, Nick and Nathan. They played the Coachella Valley Music and Arts Festival in 2004.
Pitchfork Media announced that the band was breaking up on 29 January 2007. Their final two shows were 9 June 2007, in Seattle.
Named for either the Smiths song or a line from Kerouac's The Dharma Bums, Seattle, WA's Pretty Girls Make Graves began touring the country only months after the Murder City Devils, which Derek Fudesco also played bass in, called it quits. During the summer of 2001, Fudesco started writing songs with friends Andrea Zollo (whom he played with in Death Wish Kids), ex-Bee Hive Vaults members Nathen Johnson and Nick DeWitt, plus Kill Sadie's Jason Clark. Their first release, a self-titled, four-song EP full of bursts of energy and emotion released on Dim Mak, created enough interest to land them a spot in the AP's "100 Bands You Need to Know in '02." In April 2002, Good Health came out on Lookout! Records. Miming the same energies as the EP, but in nine songs and 27 minutes, the full-length combined early Fugazi and a bit of Rocket from the Crypt, but made new. Add X-Ray Spex and Avengers influences coupled by backup vocals and a hard-hitting rhythm section, and it's easy to understand where they're coming from. Zollo resists critics' comparisons to Sleater-Kinney or Bikini Kill, because in fact, Pretty Girls Make Graves sounds nothing like either group. Following the release of Good Health, the band jumped to Matador, releasing the This Is Our Emergency single in late 2003 and the full-length New Romance soon after. The band set off on tours with the likes of Death Cab for Cutie, Bloc Party, and Franz Ferdinand, and after adding keyboardist Leona Marrs to the lineup, released Élan Vital in early 2006. A year later -- and after a final round of spring touring -- Pretty Girls Make Graves dissolved, as drummer DeWitt departed and the band did not want to continue on without him. ~ Lisa LeeKing, Rovi
On last year’s debut, Pretty Girls Make Graves asked, "Do you remember when the music meant something?" Now, with their bigger, brighter followup 'The New Romance', Pretty Girls Make Graves are through with questions – they’re here to remind you themselves.
Pretty Girls Make Graves formed in Seattle in 2001, fused together out of the still glowing embers of nearly a dozen important groups. Andrea and Derek had played together in Death Wish Kids and Area 51 along with Dann Gallucci, with whom Derek formed the popular Murder City Devils. Shortly before the Murder City Devils called it quits, he and Andrea started Pretty Girls Make Graves with Jay (who was in Kill Sadie and Sharks Keep Moving) and Nick and Nathan (both in Bee Hive Vaults). The band released an EP on DimMak before releasing their debut album 'Good Health' on Lookout in April 2002. If 'Good Health' was the exhilarating sound of five people mashing their myriad ideas and influences into fresh noise, 'The New Romance' is the sound of one incredibly confident band capable of anything.
Brilliantly produced by Phil Ek (Modest Mouse, Built To Spill, Les Savy Fav), 'The New Romance' magnifies Pretty Girls Make Graves’ songcraft and technical prowess while letting some air into their songs and keeping things in crisp focus. Every song on 'The New Romance' is an anthem, yet without traditional verses and choruses. Tension builds and shifts without conventional release, as moments of glassy beauty and rousing aggression trade sides. Dissonant, spiralling guitar parts butt up against handclaps and singalongs. Deep and creepy rhythms undermine pop sensibilities, then give way to swaggering beats moments later. As CMJ wrote, "the notion that hard rock should be not only intellectually stimulating and structurally imaginative, but just plain fucking enjoyable, doubles as their theme and M.O."
Lead singer Andrea Zollo is ferocious, sultry, and whip-smart. She sings about separation, sedation, television, boredom, sadness, and addiction – and does so with enough urgency to snap you out of all six. Basically, she wants you to get off your ass. "We want more than memories," she sings in "The Grandmother Wolf." "All Medicated Geniuses" bemoans a "spent and sick" city where "our ideas die so quickly" – maybe the same city of "A Certain Cemetary," where the feelings are "as dark as this town…let’s get out of this mess." (Yo, Seattle!) "I’m fine," Zollo insists on "Blue Lights," and though you know she’s anything but, 'The New Romance' is hardly about wallowing; Pretty Girls Make Graves are all about the galvanizing power of their music. The album’s high point is the inspirational "This Is Our Emergency," which reminds us not to give up on the few dreams we have left. "It hasn’t been in vain," sings Zollo (listen closely, you can almost hear her fist in the air), "unfulfillment is killing you." The song is a masterpiece, a rousing alarm claxon, a middle-finger raised against apathy, and a group hug all rolled up into an utterly essential three minutes and forty-four seconds
.
Some people are gonna say that 'The New Romance' is the album of the year, but forget that: It’s the album of the moment. So put down your iPod and quit Googling yourself. This is your emergency, too, ya know.
The New Romance? Pucker up, tiger.
Pitchfork Media announced that the band was breaking up on 29 January 2007. Their final two shows were 9 June 2007, in Seattle.
Named for either the Smiths song or a line from Kerouac's The Dharma Bums, Seattle, WA's Pretty Girls Make Graves began touring the country only months after the Murder City Devils, which Derek Fudesco also played bass in, called it quits. During the summer of 2001, Fudesco started writing songs with friends Andrea Zollo (whom he played with in Death Wish Kids), ex-Bee Hive Vaults members Nathen Johnson and Nick DeWitt, plus Kill Sadie's Jason Clark. Their first release, a self-titled, four-song EP full of bursts of energy and emotion released on Dim Mak, created enough interest to land them a spot in the AP's "100 Bands You Need to Know in '02." In April 2002, Good Health came out on Lookout! Records. Miming the same energies as the EP, but in nine songs and 27 minutes, the full-length combined early Fugazi and a bit of Rocket from the Crypt, but made new. Add X-Ray Spex and Avengers influences coupled by backup vocals and a hard-hitting rhythm section, and it's easy to understand where they're coming from. Zollo resists critics' comparisons to Sleater-Kinney or Bikini Kill, because in fact, Pretty Girls Make Graves sounds nothing like either group. Following the release of Good Health, the band jumped to Matador, releasing the This Is Our Emergency single in late 2003 and the full-length New Romance soon after. The band set off on tours with the likes of Death Cab for Cutie, Bloc Party, and Franz Ferdinand, and after adding keyboardist Leona Marrs to the lineup, released Élan Vital in early 2006. A year later -- and after a final round of spring touring -- Pretty Girls Make Graves dissolved, as drummer DeWitt departed and the band did not want to continue on without him. ~ Lisa LeeKing, Rovi
On last year’s debut, Pretty Girls Make Graves asked, "Do you remember when the music meant something?" Now, with their bigger, brighter followup 'The New Romance', Pretty Girls Make Graves are through with questions – they’re here to remind you themselves.
Pretty Girls Make Graves formed in Seattle in 2001, fused together out of the still glowing embers of nearly a dozen important groups. Andrea and Derek had played together in Death Wish Kids and Area 51 along with Dann Gallucci, with whom Derek formed the popular Murder City Devils. Shortly before the Murder City Devils called it quits, he and Andrea started Pretty Girls Make Graves with Jay (who was in Kill Sadie and Sharks Keep Moving) and Nick and Nathan (both in Bee Hive Vaults). The band released an EP on DimMak before releasing their debut album 'Good Health' on Lookout in April 2002. If 'Good Health' was the exhilarating sound of five people mashing their myriad ideas and influences into fresh noise, 'The New Romance' is the sound of one incredibly confident band capable of anything.
Brilliantly produced by Phil Ek (Modest Mouse, Built To Spill, Les Savy Fav), 'The New Romance' magnifies Pretty Girls Make Graves’ songcraft and technical prowess while letting some air into their songs and keeping things in crisp focus. Every song on 'The New Romance' is an anthem, yet without traditional verses and choruses. Tension builds and shifts without conventional release, as moments of glassy beauty and rousing aggression trade sides. Dissonant, spiralling guitar parts butt up against handclaps and singalongs. Deep and creepy rhythms undermine pop sensibilities, then give way to swaggering beats moments later. As CMJ wrote, "the notion that hard rock should be not only intellectually stimulating and structurally imaginative, but just plain fucking enjoyable, doubles as their theme and M.O."
Lead singer Andrea Zollo is ferocious, sultry, and whip-smart. She sings about separation, sedation, television, boredom, sadness, and addiction – and does so with enough urgency to snap you out of all six. Basically, she wants you to get off your ass. "We want more than memories," she sings in "The Grandmother Wolf." "All Medicated Geniuses" bemoans a "spent and sick" city where "our ideas die so quickly" – maybe the same city of "A Certain Cemetary," where the feelings are "as dark as this town…let’s get out of this mess." (Yo, Seattle!) "I’m fine," Zollo insists on "Blue Lights," and though you know she’s anything but, 'The New Romance' is hardly about wallowing; Pretty Girls Make Graves are all about the galvanizing power of their music. The album’s high point is the inspirational "This Is Our Emergency," which reminds us not to give up on the few dreams we have left. "It hasn’t been in vain," sings Zollo (listen closely, you can almost hear her fist in the air), "unfulfillment is killing you." The song is a masterpiece, a rousing alarm claxon, a middle-finger raised against apathy, and a group hug all rolled up into an utterly essential three minutes and forty-four seconds
.
Some people are gonna say that 'The New Romance' is the album of the year, but forget that: It’s the album of the moment. So put down your iPod and quit Googling yourself. This is your emergency, too, ya know.
The New Romance? Pucker up, tiger.
Pretty Girls Pictures
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